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      • Backhausen Fabrics
      • Charles Rennie Mackintosh
      • Charles Voysey
      • Charleston
      • Chartwell Cotton Velvet
      • Contract Curtain
      • Contract Upholstery
      • Country Checks
      • Country Life
      • Deco Eclectic
      • Edwardiana
      • English Country House
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      • Glyndebourne
      • Goes with Farrow and Ball Colours
      • Guinevere Medieval
      • Gustav Stickley Craftsman Style
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      • Hampton Court
      • Hardwick Natural Plains
      • Harris Tweed
      • Iona
      • Josef Hoffmann
      • Koloman Moser Designs
      • Linum
      • Lucienne Day
      • Marguerita Mergentime
      • Marlborough Damask
      • Mid Century Prints
      • Marlborough Damask
      • Mid Century Prints
      • Mid Century Weaves
      • Mikado
      • Moire
      • Mulberry
      • Nimbus Velvets
      • Oberon
      • Orla Kiely
      • Paul Smith Style
      • Porchester
      • Raphael Damasks
      • Renaissance and Baroque
      • Rossetti
      • Stratford
      • Swale FR Velvet
      • Tabley Velvet
      • Tapestry Tradition
      • Tickety Boo Ticking Stripes
      • Timeless Weaves
      • VelaMare Marine
      • Victoriana
      • Voris
      • W Morris Tapestry and Chenille
      • Wiener Werkstatte
      • William Morris Designs
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Please note that there is a minimum order quantity of 6yds for the flame retardant (FR) version of this fabric at the price shown.

This fabric is FR treated on an order-by-order basis, and it is not cost effective to treat less than 6yds at this price. 

If you would like to purchase less than 6yds of the fabric please contact us by email (info@loome.co.uk) and we will give you a bespoke price for the quantity you need.

Please note that there is a minimum order quantity of <moq> for this fabric as this is the smallest quantity we are able to supply per order at the website price. If you need a smaller amount, please contact us and we will create a bespoke (higher) price per metre/yard.

Gothic Revival Fabrics

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Gothic Revival Style Fabrics

'Gothic Revival Upholstery and Curtain Fabrics'

Gothic Revival upholstery fabrics bring the romance of medieval design into interiors with rich colours, bold motifs, and intricate patterns. Popularised in the nineteenth century by designers such as Augustus Welby Northmore Pugin, gothic revival curtain fabrics capture the grandeur of pointed arches, stained glass tracery, and heraldic ornamentation. Our collection of Gothic Revival interior fabrics includes damasks, brocades, and woven patterns inspired by church furnishings and historic houses, perfect for upholstery, curtains, and decorative accents.

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Origins of the Gothic Revival

The Gothic Revival was one of the most influential design movements of the nineteenth century, reshaping architecture, interiors, and the decorative arts. It emerged as a reaction against classical restraint, embracing the vertical lines and spiritual symbolism of medieval cathedrals. Textiles played a vital role in this revival, as fabrics helped to carry Gothic motifs into domestic interiors, ecclesiastical furnishings, and even civic spaces. Designers used bold patterns, deep colours, and stylised natural forms to echo the richness of medieval decoration.

Augustus Pugin and His Vision

Augustus Welby Northmore Pugin (1812–1852). Best known as the architect and designer behind much of the Palace of Westminster’s interiors, Pugin was also a passionate advocate for medieval craftsmanship. He believed Gothic art was the truest expression of Christian values, and he argued that authenticity in design lay in returning to medieval principles. His books, such as Contrasts (1836) and The True Principles of Pointed or Christian Architecture (1841), were manifestos for a design philosophy that fused morality with artistry.

Pugin’s influence on textiles was profound. He designed wallpapers, carpets, and fabrics that reflected his architectural ideals. These often featured repeating motifs derived from medieval tracery, heraldic devices, and stylised foliage. His use of strong reds, deep greens, and gold highlighted the richness he associated with the Gothic spirit. Many surviving examples of his fabric designs can be found in churches, colleges, and stately homes across Britain.

Key Characteristics of Gothic Revival Fabrics

Gothic Revival textiles are instantly recognisable for their dramatic sense of history and symbolism. Common features include:

  • Repeating tracery patterns inspired by stained glass windows.

  • Heraldic motifs such as shields, crosses, and fleur-de-lis.

  • Floral ornament drawn from medieval carvings and manuscripts.

  • Rich damasks and brocades woven with silk, wool, or cotton blends.

  • Deep colour palettes dominated by crimson, emerald, indigo, and gold.

Unlike classical designs, which often emphasise symmetry and restraint, Gothic Revival fabrics celebrate rhythm, movement, and verticality. These qualities make them ideal for dramatic curtains, ecclesiastical vestments, and upholstery that conveys grandeur.

Gothic Revival Fabrics in Domestic Interiors

During the Victorian period, Gothic Revival fabrics were not confined to churches. Wealthy homeowners and institutions embraced the style to signal taste and moral seriousness. Upholstered chairs, heavy draperies, and even bed hangings might feature Pugin-inspired motifs. The effect was to create interiors that echoed the dignity of medieval halls and chapels.

Today, these fabrics continue to find use in historic houses, period restorations, and heritage projects. They can also add drama and personality to modern homes, where a richly patterned Gothic Revival fabric can serve as a striking contrast to minimalist architecture.

Pugin’s Legacy in Modern Fabric Design

While Augustus Pugin’s career was cut short at the age of just 40, his legacy shaped the entire Gothic Revival movement. Later designers, such as William Butterfield and George Gilbert Scott, extended his architectural vision, while firms like Morris & Co. adapted Gothic ornament into textiles for a wider market. The influence of Pugin’s ideals—honesty of craftsmanship, reverence for medieval forms, and unity of design—remains visible in many Gothic Revival fabric collections today.

For anyone interested in historical authenticity, choosing fabrics influenced by Pugin’s principles is a way of connecting with the nineteenth century’s great age of design reform. They bring not only beauty but also a sense of heritage, linking the present with centuries of artistic tradition.

At Loome we offer a wide range of both period and traditional fabrics, as well as beautiful contemporary plains; we have designs from every major design period, as well as the most important historical designers, with fabrics from medieval through to mid-century.

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