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    • Browse by Colour
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      • Red / Orange
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      • Marine Fabrics
      • Outdoor
  • Fabric Type
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    • Browse by Fabric Type
      • Velvet
      • Cotton-Linen
      • Damask
      • Flat Weave & Jacquard
      • Tapestry / Gobelin
      • Wool
      • Silk
      • Faux Silk
      • Chenille
      • Linen
      • Faux Leather & Suede
      • Textured
      • Lace and Sheers
      • Moire
      • Mohair / Moquette
      • Embroidery / Crewel
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      Period / Style
    • Browse by Period / Style
      • 20s 30s 40s
      • Aesthetic Movement
      • American
      • Art Deco
      • Art Nouveau
      • Arts & Crafts
      • Biedermeier
      • Celtic
      • Chinese & Japanese
      • Contemporary
      • Cottagecore
      • Craftsman / Mission / Prairie
      • Country Revival
      • Edwardian
      • Ethnic
      • Geometric
      • Georgian & Regency
      • Gothic Revival
      • Jugendstil
      • Medieval
      • Renaissance & Baroque
      • Modernist
      • Mid Century / 50s 60s 70s
      • Ottoman / Moorish
      • Pattern Drenching
      • Russian and Soviet Fabrics
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      • Amore Antiqued Velvet
      • Archibald Knox Designs
      • Art Nouveau
      • Artemis Eco Fabric
      • Arts and Crafts
      • Augustus Pugin
      • Backhausen Fabrics
      • Charles Rennie Mackintosh
      • Charles Voysey
      • Charleston
      • Chartwell Cotton Velvet
      • Contract Curtain
      • Contract Upholstery
      • Country Checks
      • Country Life
      • Deco Eclectic
      • Edwardiana
      • English Country House
      • Famous Artists
      • Frank Lloyd Wright
      • French Weaves and Prints
      • Georgiana
      • Glyndebourne
      • Goes with Farrow and Ball Colours
      • Guinevere Medieval
      • Gustav Stickley Craftsman Style
      • Habitat
      • Hampton Court
      • Hardwick Natural Plains
      • Harris Tweed
      • Iona
      • Josef Hoffmann
      • Koloman Moser Designs
      • Linum
      • Lucienne Day
      • Marguerita Mergentime
      • Marlborough Damask
      • Mid Century Prints
      • Marlborough Damask
      • Mid Century Prints
      • Mid Century Weaves
      • Mikado
      • Moire
      • Mulberry
      • Nimbus Velvets
      • Oberon
      • Orla Kiely
      • Paul Smith Style
      • Porchester
      • Raphael Damasks
      • Renaissance and Baroque
      • Rossetti
      • Sale Fabrics
      • South Bank Contemporary
      • Stratford
      • Swale FR Velvet
      • Tabley Velvet
      • Tapestry Tradition
      • Timeless Weaves
      • VelaMare Marine
      • Victoriana
      • Voris
      • W Morris Tapestry and Chenille
      • Wiener Werkstatte
      • William Morris Designs
      • David Wilkinson
  • Contact

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Please note that there is a minimum order quantity of 6yds for the flame retardant (FR) version of this fabric at the price shown.

This fabric is FR treated on an order-by-order basis, and it is not cost effective to treat less than 6yds at this price. 

If you would like to purchase less than 6yds of the fabric please contact us by email (info@loome.co.uk) and we will give you a bespoke price for the quantity you need.

Please note that there is a minimum order quantity of <moq> for this fabric as this is the smallest quantity we are able to supply per order at the website price. If you need a smaller amount, please contact us and we will create a bespoke (higher) price per metre/yard.

Medieval Fabrics

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Medieval Fabrics & Medieval Textiles

Explore our Medieval fabrics - from heraldic repeats and illuminated-manuscript motifs to richly woven tapestry looks, this collection is perfect for authentic period interiors, restoration projects and historical set design.More details can be found in our Guide to Medieval Fabrics

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  • Uses: upholstery, curtains, wall hangings, cushions, soft furnishings
  • Motifs: fleur de lys, quatrefoils, shields, vines, bestiary & scrollwork
  • Materials: durable jacquards, heavy chenilles and velvets, tapestry-style weaves

Medieval Upholstery Fabric

For a medieval period room or furniture item, upholstery fabric should ideally be a heavy weave or velvet, and often looks best with medieval motif's such as fleur de lys and rampant lions.


Medieval Curtain Fabric

Traditionally, in medieval buildings, heavy tapestry or velvet fabrics were hung over window and door openings, to reduce the draught and conserve heat from the open fire. Medieval curtains in this style can follow this trend, or simply create the medieval atmosphere through the use of medieval designs such as trellis, diamonds, fleur de lys etc

Fabrics in the Medieval Household

In the medieval period, textiles were not merely decorative; they were functional as well. Stone buildings were notoriously cold and draughty, so fabrics were used extensively to provide insulation. Heavy woven wall hangings, tapestries, and curtains served to reduce chill while at the same time projecting wealth and status. Bed hangings enclosed sleeping areas, offering warmth and privacy in shared spaces. Cushions, bench covers, and tablecloths added both comfort and colour.

Because fabric was labour-intensive to produce, it was considered a sign of affluence. The choice of fibre, dye, and pattern communicated the rank of the household. Linen and wool were common in most homes, while silk and fine brocades were reserved for the nobility and the church.

Materials and Weaving Techniques

Wool was the most widely used fabric in medieval Europe. Produced locally in many regions, it could be woven into coarse, sturdy cloth for everyday use, or fine, tightly woven pieces for more refined furnishings. Wool also took dye very well, allowing weavers to create vibrant colours.

Linen, made from flax, was valued for its smooth texture and durability. It was frequently used for underlayers, wall hangings, and household items. In wealthier households, silk was imported from Byzantium, the Middle East, or later from Italy, and was woven into sumptuous brocades and damasks. Velvet, though expensive, became popular towards the late medieval period and was often used for cushions, vestments, and ceremonial drapery.

Weaving was often done on large looms, and patterns were created using techniques such as brocading and tapestry weaving. These methods allowed for intricate designs, heraldic symbols, and pictorial scenes to be worked directly into the fabric.

Colours and Dyes

Colour in medieval fabrics held symbolic meaning as well as aesthetic value. Natural dyes derived from plants, insects, and minerals were used to create a palette ranging from earthy tones to brilliant hues. Madder root provided red, woad yielded blue, weld produced yellow, and combinations of these gave secondary shades like green and purple. More exotic colours, such as deep crimson from kermes insects or true purple from murex shellfish, were highly prized and reserved for royalty or the church.

The use of bold colour blocks and contrasting shades was characteristic of medieval design. Interiors were enlivened by richly coloured hangings, striped or patterned textiles, and geometric motifs that stood out against stone walls.

Patterns and Motifs

Medieval fabrics were rarely plain. Geometric designs, repeating florals, and stylised animals were common, while heraldic emblems and religious motifs reflected the importance of lineage and faith. Tapestries often depicted elaborate narrative scenes — battles, hunts, or biblical stories — turning fabric into storytelling art.

Smaller repeating motifs, such as quatrefoils, trefoils, and interlacing patterns, were also prevalent, reflecting the influence of Gothic architecture and manuscript illumination. These designs lent harmony and rhythm to textiles, making them integral to the overall decorative scheme of interiors.

Fabrics in Modern Medieval-Inspired Interiors

Today, medieval style fabrics are appreciated not only for their historical authenticity but also for their ability to bring a sense of drama and grandeur to contemporary spaces. Heavy woven textiles with rich colour schemes are often used to create feature walls, statement draperies, or upholstery for large pieces of furniture.

Reproductions of medieval patterns in wool, linen, or silk allow homeowners to recreate the look of castle interiors while maintaining modern comfort. Tapestry-style wall hangings or cushions featuring heraldic or Gothic motifs can serve as focal points in rooms. Deep jewel tones — ruby red, emerald green, sapphire blue, and gold — instantly evoke the opulence of the medieval period.

For a subtler approach, fabrics with geometric or small-scale repeating motifs inspired by medieval design can be used as accents, blending historical richness with modern simplicity.

Enduring Appeal

The enduring appeal of medieval style fabrics lies in their ability to connect us with the past while still feeling luxurious and meaningful in the present. They remind us of an age when every textile was painstakingly crafted by hand, when fabric carried symbolism as well as function, and when interiors reflected not just personal taste but the identity and prestige of the household.

In a world dominated by mass-produced materials, medieval style fabrics offer something rare: a sense of depth, tradition, and authenticity. Whether used in a full historic restoration or as a dramatic element in a contemporary home, they continue to provide warmth, character, and a touch of medieval majesty.

If you are looking for related styles consider our Celtic fabrics, tapestry fabrics and Arts & Crafts fabrics. Loome Fabrics is a UK specialist supplier of historical & reproduction textiles for upholstery and interiors.

FAQs about Medieval fabrics

Are these suitable for upholstery? Yes—look for higher rub counts of at least 20000 in each product’s specification.

Do you offer samples? Most fabrics include a sample option on the product page to check colour and handle before ordering.

At Loome we offer a wide range of both period and traditional fabrics, as well as beautiful contemporary plains; we have designs from every major design period, as well as the most important historical designers, with fabrics from medieval through to mid-century.

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